Porpoise Song
Porpoise Song With Porpoise Song the primary intent is the dichotomy of the playful and serious, things man-made and natural. An I-beam supports various elements designed to conjure a sense of things from nature. Not specific, they are impressions as with the large curving form that gives the piece its name. It's not intended to look like a porpoise but to feel like one. It's playful, yet serious as well. The element curves into a point at the top—a blade, aggressive and confrontational.

The need to be in harmony with the world is important and immediate, but it is also a need I like to play with. Like laughing at death, even serious subjects are best taken in a light-hearted way. The paint on the piece—dark with splashes of blue watery color atop the industrial elements—reinforces this idea, attempts to brings all of these ideas together as if to say, “Everything can be good and beautiful if it can be put together in the right way.”

Finally, stance and scale are important. Porpoise Song is large enough to confront without being overbearing. Like a guardian, it presents itself to the viewer asking to be contemplated, even insisting, but the message is one of beauty and peace.

Mark Washburn 2003


Porpoise Song, detail

Porpoise Song, detail

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